Havelock Vetinari (
oneman_onevote) wrote2010-04-08 11:09 pm
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All things considered, he could have accidentally swapped bodies with worse than Trowa Barton.
Havelock will admit, however, that having the process reversed is a definite relief. All the nagging wrongness of height and weight and movement is washing away swiftly, and the lingering peculiarity is a small price to pay for that. He does, however, have a feeling that Puck may have been somewhat put out by the situation, and does not want that to continue any longer than necessary.
Although fixing that would be easier if he could find him.
The Bar and their room are both ominously empty, and he heads out into the mid-afternoon light with a slight frown.
Havelock will admit, however, that having the process reversed is a definite relief. All the nagging wrongness of height and weight and movement is washing away swiftly, and the lingering peculiarity is a small price to pay for that. He does, however, have a feeling that Puck may have been somewhat put out by the situation, and does not want that to continue any longer than necessary.
Although fixing that would be easier if he could find him.
The Bar and their room are both ominously empty, and he heads out into the mid-afternoon light with a slight frown.
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Now the limpeting has taken on a decidedly shifty quality.
"How, er. Peculiar."
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"Still. Having an out-of-body experience induced by a young lady in a feathery ensemble while several yards off the floor is one of those learning moments in life."
All told, he doesn't seem too bothered.
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"... A feathery young lady?"
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He pauses, eyeing Puck.
"She did seem vaguely familiar. Acquaintance of yours?"
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"Did you get a name of her?"
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"Princess Tutu, apparently."
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And smiles, incandescently.
(He'd thought so. Though the vines are rather a surprising development.)
"Oh, she is lovely." This is only mildly reproachful.
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"Her assistance was very kind indeed."
Her honour is unquestioned!
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He has to look a little ways up.
"'Twas she who put me first into a dancing humor," he admits with a secretive smile.
"I see I am doubly in her debt."
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"Well, her dress was indeed of a balletic nature. I regret that is not my particular area of expertise."
He has been to the ballet many a time - but never really to perform himself.
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His smile turns a little sweeter.
"Skilled though she is in her art, I must confess ... I had rather a dance with you."
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"And I with you."
(This is, of course, a huge secret, unknown to all.)
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And rises up on his toes, using the fortuitous positioning of his hands on Havelock's face to maneuver him into a kiss.
It seemed opportune.
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And yes, it feels good to touch Puck again, holding him against his chest after deliberately staying away for a few days.
(What do you want from him?)
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They might additionally ponder what Puck will do when Havelock has to leave again, for longer, and eventually, possibly forever. They might come to doubt the prudence of becoming so entangled with a mortal altogether.
But the fae are not creatures renowned for their foresight, and Puck is surely no exception.
He is preoccupied instead with Havelock's arm about his waist, and his mouth against his; being held, so close.
He finds there is not much room to think on anything else.
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He's catalogued the many ways this could end over and again.
None of them appeal.
So for now, he'll just hold on.
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Even he's not sure whether he's after an expression or a telling lack thereof.
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It's a little more difficult, as his own hair could never hope to reach the tangled heights of Puck's -- but then he's also being a little gentler about it.
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When he looks up again, the blue of his eyes is very bright.
This time when he pulls Havelock into a kiss, he draws him forward until Puck's back is against the trunk of the tree, and the kiss this time is one of deep concentration and impeccable passion.
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It isn't necessary now he's in his familiar body, practised at this. That isn't the point.
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"Hmm?"
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"Oh," he says, breathy.
"Why have you stopped?"
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